Cyril Niri

Nadia Fall has misunderstood the play and, by seeking to make her mark on it, has come dangerously close to obliterating its impact. Bad casting and bad direction, however, is not enough to completely scupper Wertenbaker’s great play. In the end, the magical words she wrote come through – overcoming lightweight performances, an indulgent set, too grand a space and some interesting, but tiresomely intrusive, music.