REVIEW: The Musical Of Musicals, Above The Stag Theatre ✭✭✭✭✭
Julian Eaves reviews The Musical of Musicals by Joanne Bogart and Eric Rockwell now playing at Above The Stag Theatre in Vauxhall.
Julian Eaves reviews The Musical of Musicals by Joanne Bogart and Eric Rockwell now playing at Above The Stag Theatre in Vauxhall.
We have come to rely on Above The Stag to supply to us, it is high-quality homoerotic titillation with a chaser of moral uplift and this show is no exception
The star of the show, in truth, is Carole Todd’s spirited, cheeky, and knowing choreography, which brings out the very best in the cast and masterfully establishes high readings on the happy barometer of the mood in the auditorium. The cast might not be real hookers, but they are all good hoofers.
Gay themed theatre can be hit and miss at the best of times but Chandler, Miller, Dexter and Todd have fashioned an evening that could well break free of its LGBT base and find a wider audience.
Daring to be different may well be considered acceptable in modern times but spare a thought for Ernest Boulton and Frederick Park, two cross dressers in Victorian England. Showy and theatrical on and off the stage, which they so loved, Fanny and Stella were arrested at The Strand Theatre in 1870. They appeared in court next morning still in their evening gowns, and the trial for homosexual offences of this judge’s son and a bank clerk was the sensation of the age, especially when Boulton’s respectable and accepting mother, Mary Ann, took the stand. Their ultimate acquittal is all the more fascinating when compared to Oscar Wilde’s imprisonment less than 30 years later. Fanny and Stella: The Shocking True Story makes it’s debut at the Above The Stage Theatre, London’s only full time professional LGBT theatre on 13 May running until June 14,2015. This new play with original music has … Read more
Returning to a role he first played in Gale Edwards’ 1996 Lyceum Theatre revival of Jesus Christ Superstar, Glenn Carter is in tremendous form as Jesus. As Judas, Tim Rogers is a powerhouse of masculine rage and outrage, a fitting contrast to Carter’s Jesus. A very entertaining, sometimes confronting, revival of Jesus Christ Superstar.
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