Cast announced for Bryony Lavery’s Last Easter at Orange Tree Theatre
Casting has been announced for the London premiere of Bryony Lavery’s Last Easter at the Orange Tree Theatre this July.
Casting has been announced for the London premiere of Bryony Lavery’s Last Easter at the Orange Tree Theatre this July.
Adapting material so well known and admired in literature and film is no easy task, but Bryony Lavery’s excellent version of Graham Greene’s classic novel Brighton Rock shimmers with violence and tension.
One of the best-selling novels of the 21st century Alice Seabold’s The Lovely Bones is returning by popular demand. Book Tickets.
Mark Ludmon examines the year ahead for regional theatre in 2018. Bolton girl Maxine Peake has made her mark on TV and the London stage but she returns to her roots with her second play, Queens of the Coal Age. Based on the true story of four women in Lancashire during the miners’ strike in the 1980s, it will be at the Royal Exchange in Manchester from 28 June to 21 July. Also at the Royal Exchange, Maxine Peake will star in Sarah Frankcom’s new production of Beckett’s Happy Days from 25 May to 23 June. Other highlights coming up at the Royal Exchange include Julie Hesmondhalgh in Kendall Feaver’s new play The Almighty Sometimes and April De Angelis’s new adaptation of Frankenstein. A new production of Chekhov’s The Cherry Orchard directed by Michael Boyd, the former artistic director of the Royal Shakespeare Company, will come to the Royal Exchange … Read more
Theatre in 2018 – Star names, revivals, transfers and new writing lie ahead for what promises to be another exciting year for London theatre.
As harmless, seasonal larking about goes, this show is an undemanding couple of hours: if you go to it with an abundant admiration of the author and/or subject matter, you may have your enthusiasm rewarded. If not, prepare to encounter problems.
Jim is not the only character whose gender is changed, but his change is the most significant. It’s not that it is a bad or fatal choice – it is, however, a fundamental one. And it puts this Treasure Island firmly in the realm of children’s theatre. No bad thing.
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