REVIEW: Pinocchio, National Theatre ✭✭✭
Full marks to the National for having a jolly good go with this attempt; it may yet be made to work as well as the show clearly intends to. But more work it will need before that happens.
Full marks to the National for having a jolly good go with this attempt; it may yet be made to work as well as the show clearly intends to. But more work it will need before that happens.
Henry Goodman is assured and magnetic as the titular Volpone. He gives a larger than life performance which suits – entirely – Johnson’s larger than life character. In the extreme, absurd comedy, Goodman is very good indeed. His fake almost-dead patient is a riot, not the least because when Goodman has his wig and hospital gear in full flight, he bears an uncanny resemblance to Worzel Gummidge as played by Jimmy Savile. There is something splendidly repulsive yet unsettlingly endearing about him in this mode.
This is a phenomenally effective and ambitious revival of a masterpiece. It restores one’s faith in the power and magic of theatre and shows, in a very clear way, how casting actors who can act is the key to successful theatre. It makes your heart and spirit soar, although you may shed some tears along the way. Powerful. Engrossing. Unforgettable. An Our Town for our time.
By continuing to use the site, you agree to the use of cookies. more information
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.