It’s a joy to see and hear creative Australian voices, onstage and off, in London. This show is worth a full scale production, properly funded and promoted. It’s a true pity its short season has now concluded.
This is a musical farce. No question. And a very funny one. But it has a conceptual twist: the fourth wall is broken allowing asides to or with the audience or conductor, or wry, deftly done onstage business.
This is an extraordinary play performed and directed with consummate skill and incredible insight. It should transfer to the West End and be seen by anyone who has a family.
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