Interviews Archives | Page 11 of 12

INTERVIEW: Philip Ridley, Telling Stories

Editorial Staff29th September 201810th December 2012 Interviews, Off West End

Phil Matthews meets celebrated playwright Philip Ridley. His new play Feathers in the Snow premieres at Southwark Playhouse this month. Walking into the Southwalk Playhouse during the day is an odd experience. Gone are the atmospheric lights and energy that form part of the theatre’s famous character. This feels more like being in a nightclub post-event. The cleaners have mopped up the detritus of the previous hedonistic party, and we’re left with the bare bones of the building – warts and all. Sitting in the theatre bar though, it feels rather poignant, considering the venue is in its final days of life here, a move to make the London Bridge Station redevelopment possible. Boy, if these walls could talk. I’m meeting Philip Ridley, the celebrated playwright of The Pitchfork Disney, Mercury Fur and Shivered. The latter premiered at the theatre earlier this year in a hugely successful production, and now … Read more

INTERVIEW: Jez Bond on The Park Theatre

Editorial Staff3rd June 201622nd February 2012 Interviews, Off West End

JBR talks to the energetic and passionate Jez Bond, about his ambitious plans for a new venue in Finsbury Park

TALES FROM THE DRESSING ROOM : Penelope Keith

Editorial Staff11th January 20217th December 2011 Interviews

In the first of our Tales From The Dressing Room series, Penelope Keith chats candidly to JBR about the changes in the industry since her training. “Come in, come in. Welcome to the most elegant dressing room in the West End.” How could it not be? This is, after all, the famed Dressing Room No. 10 at the Theatre Royal, Haymarket. Current resident, the ever fragrant Penelope Keith, is precisely as one imagines her to be; part hectoring schoolmarm, part favourite aunt. “I like the idea of older actors passing on what they know, but don’t make me sound too much like an old fart,” she pleads, as she crosses the room and takes her seat. The room is not the most extravagantly appointed one in the West End. A large, French style dressing table occupies the right hand side where Keith’s wig sits, proudly, on a stand. Modest amounts … Read more

INTERVIEW: Playwright Ella Hickson

Editorial Staff29th September 20186th April 2011 Interviews

Ella Hickson made her name at the Edinburgh Festival in 2008 with her play Eight, picking up a Fringe First. Her second play transfers to London.

INTERVIEW: Leslie Jordan – Walking Down The Pink Carpet

Editorial Staff3rd June 20163rd February 2011 Interviews, West End

It has to be the hottest pink ticket in town folks! As Jordan prepares for the opening of his one man show, can Phil Matthews get him to reveal even more? If you aren’t aware of the name Leslie Jordan by now – one has to pose the question – where have you been hiding? He may be just 4 foot 11, but wherever this pintsized power house skips, boy does he make himself heard. A true comedy star of American television and stage, Jordan eventually made his name in the sitcom Will & Grace starring as camp southern Republican Beverly Leslie. It was a show stealing role that won him an Emmy. Surely the penny is on its second bounce by now? The 55 year old has travelled across the pond and has been in the Capital on a media mission to promote his one man show – Lesley … Read more

INTERVIEW: Martin Harvey – Dirty Dancing

Editorial Staff3rd June 201621st April 2010 Interviews, West End

Martin Harvey first performed at the Aldwych Theatre at the age of six. Now 24 years later he is back playing the lead in Dirty Dancing. He drops in for a chat. You made your stage debut aged 6 at the Aldwych in Peter Pan. How was it playing Michael at such a young age? Like a big adventure, I got to fly around the stage Leap ahead 24 years and you’re back performing on the same stage as the lead in Dirty Dancing. I imagine that must be rather poignant? It felt like it was meant to be. I recalled the theatre a bit but the thing I remembered most from Peter Pan was how big everything was. That has now definitely changed when you see just how Dirty Dancing has been shoe-horned into the Aldwych Theatre. You were something of a child star, but unlike others, you don’t … Read more

INTERVIEW: Hannah Vassallo – Dirty Danciing

Editorial Staff3rd June 201612th April 2010 Interviews

Nobody puts Hannah Vassallo in the corner – certainly not since she made her acting debut in West End’s Dirty Dancing. You hail from a family of creative types. Was it par for the course you being a performer? My whole family is definitely very creative and we all work in artistic fields. It wasn’t always the case that I would perform on stage as I had a lot of interests when I was growing up which I loved equally. But there came a point when I had to focus on one thing in particular and I chose dance. I went to a very academic school so effectively I followed an alternative path to everyone else. I think that whatever I had chosen to do would have been practical or creative in some way as I find it hard to be still and concentrate for long periods of time! What … Read more

INTERVIEW: Robert Lindsay Lets Go

Editorial Staff29th September 201811th February 2010 Interviews

Robert Lindsay as Richard III at the Savoy Theatre. Image: Paul Rider at Shoot.

Robert Lindsay has enjoyed a diverse career on stage & screen that has seen the actor win numerous awards including two Oliviers, a Tony and a BAFTA. Phil Matthews finds out about his rise through the ranks. A year ago I interviewed Zoë Wanamaker for our first issue. I have to ask, what’s it like working with her in My Family? Well, ironically Zoë and I go back to drama school days. Zoë was at Central, which I’m sure you know, and I was at RADA, and we had mutual friends. I remember going into a party at her flat – 1969 it must have been, or something like that. One of those drama student parties. I knew her Dad [Sam Wanamaker, the founder of the Globe Theatre] very well. I did the very first production ever at what is now The Globe, which was then ‘The Tent’, and I … Read more