Sophie Adnitt 
All in all, [title of show] is simple, straightforward entertainment and an affectionate look at the process of just putting on a performance. As the characters, themselves remark – who says four chairs and a keyboard can’t make a musical?
For such an explosive opening, the surprisingly muted ending of Unfaithful leaves its audience unsatisfied and full of questions. Whilst commendable for Cusack and Campion’s performances, the play itself feels underdeveloped, breaking no new ground in terms of story.
Easy, very funny, but ultimately underwhelming, Steel Magnolias is perhaps best left to the admirers of the film.
Despite its moments of clumsiness, this is a well-designed and finely acted production, and is worth a trip for the atmospheric venue alone. An interesting adaption, while The Collector doesn’t quite ensnare its audience, it certainly unnerves them.
Nothing is conclusive in Rotterdam, but then again nothing is constant either. In this port city, where everyone is either arriving or leaving, the audience is simply given an insight into four people’s lives. Four people who don’t exactly want to change the whole world – just their little part of it. Hilarious and heartbreaking in turns, Rotterdam is a strong and highly enjoyable piece of theatre.
