INTERVIEW: Declan Donnellan

Declan Donnellan

“Is there a little bit of Ubu Roi in all of us?” Emily Hardy asks acclaimed theatre director Declan Donnellan. It was an interview that started like any other Declan Donnellan and I exchange pleasantries and begin, as intended, by discussing Cheek by Jowl’s touring production of Ubu Roi, directed by Donnellan and designed by company co-founder, Nick Ormerod. Alfred Jarry’s 1896 brutal satire comes to the Barbican in April as part of Dancing around Duchamp, a season celebrating Marcel Duchamp’s influence on artists of the 20th Century. Featured is the work of Duchamp’s predecessors, his collaborators and those who continued his radical legacy, safe in the hands of leading contemporary artists. It comes as no surprise that Cheek by Jowl, who, in my opinion, represent the country’s theatrical achievements internationally like a premiership football team, have their own contribution to make. “This production of Ubu grew out of a performance … Read more

REVIEW: The Audience, Gielgud Theatre ✭✭✭✭

The Audience review Gielgud Theatre

The Audience, written by Peter Morgan, starring Helen Mirren and directed by Stephen Daldry, is one of those rare theatrical experiences which embraces and delivers all of the possibilities in a rich, perfectly-pitched and played meditation on the UK Monarchy, the office of Prime Minister and the state of the evolving UK society…If all West End productions were this good, London would expire from sheer pleasure.

REVIEW: The Judas Kiss, Duke Of Yorks ✭✭✭✭

The Judas Kiss review Duke Of Yorks Theatre

Neil Armfield’s glorious revival of David Hare’s masterpiece about the torments, triumphs and tragedy of Oscar Wilde’s last years, The Judas Kiss, is spellbinding theatre and, but for one glaring inadequacy, would be hard to beat as revival of the year.