Standing at the Sky’s Edge announces West End Transfer
The 2023 Olivier Award-winning musical Standing at the Sky’s Edge is to transfer to the Gillian Lynne Theatre in 2024.
The 2023 Olivier Award-winning musical Standing at the Sky’s Edge is to transfer to the Gillian Lynne Theatre in 2024.
Full casting has been announced for Sheffield Theatre’s major revival of classic musical Guys and Dolls opening on 7 December 2019.
Shakespeare’s Globe has announced a year-long cycle of history plays next year alongside casting for its winter season and the appointment of Sean Holmes, outgoing artistic director of the Lyric Hammersmith.
Full casting has been announced for Sheffield Cruicible’s Christmas Musical Kiss Me Kate.
The York Realist is a beautiful time capsule of lost love, and Gil’s script brims with tenderness.
Producers at Regent’s Park Open Air Theatre have announced today that Michelle Terry will play the title role of Henry V directed by Robert Hastie and that Declan Bennett will take on the title role in Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar to be directed by Artistic Director Timothy Sheader. Henry V will be presented from 17 June – 9 July 2016. Olivier Award-winning actress Michelle Terry plays the title role in Henry V. With a wealth of Shakespearean roles to her credit, Terry takes on the role of King Henry in this new production as part of Shakespeare400. Terry is most noted for her numerous roles at The Globe, RSC and the National Theatre (currently appearing in Cleansed), as well as Privacy (Donmar Warehouse) and Before the Party (Almeida). In 2011 she was awarded ‘Best Actress in a Supporting Role’ at the Olivier Awards for her … Read more
Donmar Warehouse Artistic Director Josie Rourke today announced the theatre’s Autumn season of three plays which includes Abi Morgan’s Splendour directed by Associate Director Robert Hastie, the UK Premiere of Christopher Shinn’s Teddy Ferrara directed by Dominic Cooke and the thirty-year revival of Les Liaisons Dangereuses by Christopher Hampton directed by Rourke herself. Artistic Director Josie Rourke said: One of the things that most excites me about this season is the strong leading roles for women. It is a thrill to announce a season of work that features, in plays by living writers, women of the calibre and power of Zawe Ashton, Sinéad Cusack, Michelle Dockery, Michelle Fairley, Genevive O’Reilly and Janet McTeer, who returns to the Donmar and the London stage. This, combined with the transfer of Phyllida Lloyd’s second instalment in her trilogy of all-female Shakespeares to New York shows a programme of work in deep conversation with … Read more
The text is like a huge tapestry – there are many elements sewn into it: moments of silence, of banality, of revelation, of humour, of intense longing, of possibility, of heartbreak, of examination, of acceptance, of desolation. Quite a lot of the dialogue is lyrical, evocative. But there is a shimmering through-line of unspoken hurt and non-alignment which positively aches. Andrew Sheridan and Matthew Tennyson complement each other perfectly and the gradual changes in each over the course of the play are finely judged. Complex and absorbing.