Metropolis is the kind of show that makes you want to go and see it again, and again. Rush to get tickets to what will be one of the fastest selling shows of the year.
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The score does not just reflects them, however, but much more ingeniously it also reflects the conventional tropes and gestures of musical theatre
Meanwhile, there’s a fair rendition of the text available here, and one that will do, particularly if you haven’t seen anything better.
There is a lot to enjoy here and much to admire in a basically young ensemble putting on a slightly unusual sort of show, fleshed out with some engaging humour and pathos.
Director Brandon Force and movement director Liam Steward-George deserve great credit for creating such a dynamic and detailed production with continual visual, choreographic and textual exploration at its heart.