Marianne Elliott will direct a new production of Company, Stephen Sondheim and George Furth’s award-winning musical at the Gielgud Theatre from 26 September 2018 for a limited season. This production will be ground-breaking with the leading role of Bobby being re-imagined as a woman (Bobbi)! At Bobbi’s 35th birthday party all her friends are wondering […]
Tag Archives | Gielgud Theatre
Sonia Friedman Productions and Neal Street Productions have announced new casting Jez Butterworth’s The Ferryman currently playing at the Gielgud Theatre. Directed by Sam Mendes, The Ferryman opened at the Royal Court to critical acclaim becoming the fastest selling show in the theatre’s history. The show has continued its success since transferring to the Gielgud […]
After nearly 1,500 performances, Curious Incident of the Dog in the Night-Time is nearing its end in London. Mark Ludmon looks back over its five-year run. Nearly five years – or 1,743 days – after Christopher Boone first set out to investigate The Curious Incident of the Dog in the Night-Time at the National Theatre, […]
Jez Buttwerworth’s new play The Ferryman has become the fastest selling play in the history of the Royal Court Theatre. As a result, it has been announced that the play will transfer to the Gielgud Theatre for 16 weeks from 20 June 2017. Tickets are now on sale. Rural Derry, 1981. The Carney farmhouse is […]
The National Theatre has announced that after five years in London, their award-winning production of The Curious Incident Of The Dog In The Night-Time playing at the Gielgud Theatre will close on Saturday 3 June 2017. The show will undertake a second UK tour starting in January 2017. Adapted from Mark Haddon’s best-selling book by […]
We recently paid a visit to the National Theatre’s production of The Curious Incident Of The Dog In The Night-Time at the Gielgud Theatre. Here are our top 5 reasons to see this remarkable piece of theatre:- 1) The test of time To withstand the test of time in London’s West End is no mean […]
Michael Blakemore is a genius. His cast is perfect. This is likely to be the smooth, delicious comedy revival of the year, if not the decade.
It is incredibly well worth seeing. It’s not a play for everyone, but if you get on Goodchild’s train, and ride with it, there is plenty to enjoy and savour.