The Royal Court Theatre has announced casting for its forthcoming production of Jim Cartwright’s award-winning play Road which is to be presented from 21 July to 9 September 2017. The cast includes Michelle Fairley (The Weir – West End and Broadway, Dancing at Lughnasa – Old Vic), Mark Hadfield ( The Libertine – West […]
Tag Archives | Chloe Lamford
While Nuclear War is at times confusing and disorienting, it is riveting throughout its 45 minutes, leaving you with words, sounds and sights that will continue to haunt.
The Royal Court Theatre has announced an exciting new temporary theatre space, The Site, which will specialise in presenting experimental new work. Curated by Royal Court associate designer Chloe Lamford (pictured), the programme includes work from writers EV Crowe, Stacey Gregg, Theresa Ikoko, Nathaniel Martello-White and Deborah Pearson. The Site is a workshop and rehearsal […]
1984 will return to the Playhouse Theatre for a limited summer season and new casting has just been announced for the show’s third West End season. The cast for the hit West End production of George Orwell’s dystopian masterpiece will be: Rosie Ede, Andrew Gower, Joshua Higgott, Richard Katz, Anthony O’Donnell, Daniel Rabin, Catrin Stewart […]
It was announced this week that, due to unprecedented demand, Headlong’s 1984 is extending its run at the Playhouse Theatre until August 23rd, prior to its second UK tour. The play itself reminds us of the dangers of following suit. The popularity of this anti-populist play therefore is a particularly pertinent indicator of some significant […]
With both Charlie and the Chocolate Factory and Matilda still playing with great success elsewhere, this is the latest attempt to bring Dahl’s unique alchemy of moralised, uplifting, yet also disturbing, and quirky childhood adventure to the London stage. However, unfortunately this current adaptation cannot stand alongside those two multi-layered yet flexible masterpieces with any […]
Maxine Peake is a skilled and sensitive actress who does everything possible to breathe life into her character, Dana, and the weird journey she takes. Peake is a joy to watch and listen to; she has several marvellous speeches, full of passion and energy, her classical skills to the fore.
Zinnie Harris’s How to Hold Your Breath is a perplexing play, but not necessarily in a bad way. With a shifting tone from comedy to horror, it takes you in different, unexpected directions so you never quite know where you are going or what is happening.