Top Touring Shows of 2017

The Addams Family UK tour

Douglas Mayo nominates the top touring shows from 2017 and congratulates the teams of people who make these amazing shows travel the length and breadth of the UK each week. The Addams Family One of the best new touring productions of 2017, Andrew Lippa’s The Addams Family was an absolute joy. Stunning performances backed up by a stunning production. Producers Katy Lipson and the Music and Lyrics consortium should be justifiably proud. I repeat my call for a cast album since no recording of the revised show exists and hope that the show will return for another tour. Read our review. Legally Blonde As vivacious, wonderful and heart-felt as the original London production, Lucie Jones takes on one of the great modern musical theatre roles and triumphs in this new production produced by UK Productions. A joyous night in the theatre to shake away real life blues! Read our review. … Read more

Top 100 Greatest Musical Results: 20-11

Vote for the 100 greatest musicals of all time

20. Jesus Christ Superstar Jesus Christ Superstar was the second work from Andrew Lloyd Webber and Tim Rice. Superstar began life as a rock opera in double concept album form. Looking at the last days of Jesus Christ from the viewpoint of Judas Iscariot, the rock operas route to the stage was never assured but a concert staging in front of 13,000 in Pittsburgh paved the way for a Broadway staging that opened in October 1971. Jesus Christ Superstar arrived at the palace Theatre London in 1972 where it remained for eight years. The show has since played around the world continually since that time most recently winning a 2017 Olivier Award for Best Musical Revival. Book tickets for Jesus Christ Superstar at Regent’s Park Open Air Theatre 19. Cats One of the most unlikely musicals ever to reach the stage, Cats was the brainchild of Andrew Lloyd Webber who … Read more

BIG INTERVIEW: Willy Russell and Bill Kenwright on Blood Brothers

Blood Brothers on Tour

Willy Russell and Bill Kenwright speak to Elaine Peake about Blood Brothers EP: How did you come up with the idea of writing a full-scale musical? WR: The kind of theatre I was involved in right from the word go didn’t make a distinction between musical and non-musical. When I started work at the Everyman Theatre in Liverpool, it was commonplace to have music as part of your show. Blood Brothers was written very much in the Everyman ‘house style’ of the day, and that was the period when the resident company included people like Bernard Hill, Jonathan Pryce, Alison Steadman, Julie Walters, Pete Postlethwaite, Bill Nighy, Matthew Kelly, Antony Sher – you were working with that kind of actor. All of them could sing (some better than others!), and some of them played a musical instrument, so it was the way we did it. We’d all been influenced by … Read more