4000 Days
Park Theatre
19 January 2015
3 Stars
Book Tickets
When Michael wakes up from a coma to a ten-year memory loss, his long-term partner Paul appears to him a total stranger. As Paul desperately tries to save their relationship, Michael’s disapproving mother Carol grasps the opportunity to oust him from their lives forever.
Peter Quilter’s script is spiced with sarcasm and bouts of wit that get loud laughs from the audience, however the comedy perches awkwardly on the edge of big themes that remain undercooked.
Alistair McGowan is entertaining as Michael; the human rope in this tug of war, yet he seems oddly non-committal as he watches the ends fray in severe competition.
Maggie Ollerenshaw is relentless as his overbearing mother, who is delighted for the opportunity to claim her son back as the flamboyant artist he was before Paul “painted him beige”. She represents the disappointment of a life that has sacrificed art for a more comfortable living, yet she offers hints of homophobia that muddies her motives.
Daniel Weyman is attentive as the doting partner, yet the chemistry between the lovers falls short of electric and fails to persuade us that their love must triumph.
Michael [McGowan] tries to reclaim his pre-Paul ambitions by painting the wall of his hospital room, and in doing so reverts to a childlike state that is endearing and humorous if not overtly adolescent. This colourful mural of his past offers a poignant backdrop to the underwhelming grey of reality, and Paul’s admittance that their love was “no more than reasonable companionship”.
Unfortunately, by the time Michael starts to remember their relationship, the audience has forgotten who they’re backing. Strangely enough, it is Ollerenshaw as sardonic and bitter Carol who implores our sympathy when she claims “we mothers always get left behind”.
Quilter offers us a glimpse of the laboured subject of amnesia, but the memory of it may fade.
4000 Days runs at the Park Theatre until 13 February 2016. Book Now.
