10 Best New Musicals in the West End
What Musical should you see first in London?
We have compiled this list to save you the trouble of working it out! It’s just our view – and everyone has one – based on our Reviewers’ thoughts. We will update the list regularly so new productions get on your radar and when original casts change that is factored in.
Musicals which have been running for more than three years are not included – this is a list for new or relatively new productions running in London.
There are some great deals available for some of the shows on the list where you can save up to 60% on tickets.
So go see them!
If you prefer plays check out our Top 10 London Plays list.
1. Assassins – SOLD OUT
What is most impressive about Lloyd’s Assassins is the way it can walk the line between tragedy and farce, between opera and vaudeville, with integrity and precision. Chris Bailey’s quite wonderful choreography makes you feel exuberant and queasy at the same time. More than anything else, the emphasis here is on putting the Musical into Assassins.
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2. Charlie and the Chocolate Factory
It is an absolute sensation – guaranteed to restore and replenish your inner child and to restore your faith in the concept of the good old fashioned musical.
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3. Cats
The very best aspect of this production is the power, energy and sheer musicality Graham Hurman brings to the score. The orchestra is sizzling, sparking musical energy through every bar of Lloyd-Webber’s rich and diverse score. There is discipline, sensuality, a real sense of tribal connection and acrobatic excellence in the dancing here; it all feels fresh, precise and vigorous.
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4. City of Angels – SOLD OUT
City of Angels has an impeccable pedigree – a book by Larry Gelbart, lyrics by David Zippel and a rich, brassy score from Cy Coleman. It provides great scope for sexy, funny, thrills and surprises. And tremendous singing.
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5. Made In Dagenham
When Made In Dagenham is focussed on the fairy tale, it is completely engaging, very funny, heart-warming and genuinely affecting. And intrinsically British. It runs the whole spectrum from cute giggle to silent, handkerchief-drenching tears; a musical roller-coaster with more highs than lows.
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6. Scottsboro Boys
The nine boys are, in an unqualified way, magnificent: the line-up here is better than the Vineyard line-up. Each of the nine can sing, dance and act. They are simply tremendous: with special, remarkable turns from James T Lane (seriously, just get the awards engraved now), Kyle Scatliffe, Clinton Roane and Carl Spencer. When they all sing together, it is unarguably thrilling.
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7. Miss Saigon
It’s a palpable hit, a wonderful, searing and soaring revival of Miss Saigon borne aloft by three remarkable performances from Noblezada, Hong and Carroll.
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8. Memphis
More than anything else, Memphis is about change and acceptance, and the important way culture and art (music, in this case) can be transformative in important and tangible ways. But it is not worthy or earnest in any way; rather, it relies upon humour, heart and hockadoo, creating mini-tornadoes of singing and dancing joy to propel your spirit into the stratosphere.
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9. Women on the Verge of a Nervous Breakdown
Tamsin Greig is the lead performer here. She is perfect for the acting requirements. She has style, a sense of whimsical élan and a marvellous comic ability. She lands all the jokes and finds the true sense of despair which defines her character. But – Greig can’t give full measure and depth to the tunes she is asked to sing.
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10. Whistle Down The Wind
Regan’s sure and steady direction brings the piece to life with charm and warmth. From the moment the three siblings rescue three new-born kittens from drowning right through to the exploration of the burnt-out barn and the discovery of the stranger’s gift, the story unfolds from the viewpoint of a youngster. As the central siblings, Cathy, Nan and Charles, Grace Osborn, Imelda Warren-Green and Alex James Ellison are each splendidly natural, full of charm, and the banter and bickering to and fro of growing up.
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