REVIEW: The Wind In The Willows, London Palladium ✭✭✭
I really enjoyed myself and saw more than a few children kneeling up on their seats totally engrossed so I think the creative team and cast can rest easy knowing they more than cracked it.
I really enjoyed myself and saw more than a few children kneeling up on their seats totally engrossed so I think the creative team and cast can rest easy knowing they more than cracked it.
While everyone should enjoy Ink, I am sure that many people who are more discerning than I am will find it spectacular.
There is a lot to enjoy here and much to admire in a basically young ensemble putting on a slightly unusual sort of show, fleshed out with some engaging humour and pathos.
Audra McDonald makes her unaccountably long-awaited London theatrical debut in the most astonishing way possible in this devastating re-telling of the story of Billie Holiday
Polec, Bennington, Sexton and Fowler carry most of the musical numbers with a flawless mix of operatic projection and sexy intimacy that will linger long and lovingly in your memory.
The songs in The Quentin Dentin Show make up the best, and I mean the best new score that British musical theatre has produced in certainly the past few years. Yes, you heard me right. It’s a stonker.
A thoroughly charming, and fun, experience in musical comedy lies in store for all those who tread the path of the wand’ring minstrel Blondel.
It is to the credit and artistry of these two performers that Instructions for Dancing is a calling card that I am sure will have people asking for more.