With its strong cast, impeccable design, timely subject matter and a solid script, School Play could easily become one of the surprise gems of 2017. Now is the time to see it.
Author Archive | Sophie Adnitt
Ultimately, Abigail comes across as a confused thing, hindered by just too many good ideas in too short a time. Good production helps redeem the play to a degree, but all in all the result is disappointingly vague and dissatisfying.
There’s no new ground broken in this interpretation, but everything done is done well and is full of clever ideas for building the world of the play with limited resources.
We asked our reviewers to take a look at 2016 and to nominate some stand out productions for 2016. Sophie Adnitt replied with the following:- An Inspector Calls (Playhouse Theatre) This much-hyped revival of the National Theatre’s production lived up to, and exceeded, expectations, with the combination of a stunning set and strong cast, […]
Jest End returns to Waterloo East with a new, updated show which takes all the musicals you know and love, and tears them to pieces.
The entire production is a fascinating interpretation, and completely lives up to its ‘landmark’ hype. In these times of political upheaval, Priestley’s reminder that “we are responsible for each other” is not only timely, but timeless. After a turbulent 2016, An Inspector Calls is a must see.
Bowie was a fascinating figure, with aspects of his work and image that make for rich pickings when it comes to creating a show. Unfortunately what From Ibiza to the Norfolk Broads has done is ignore the best parts of its source material in favour of producing a piece that is self-absorbed to the point […]
Despite this, there are quality performances on offer and an intriguing plot. The gradual descent of Nick from hero to scoundrel in Constance’s estimations is very well done. This may well be Hellman’s best play, and it’s an excellent work of its time and kind, but a little refinement would not go amiss.