Matthew Lunn reviews Still Alice based on Lisa Genova’s novel starring Sharon Small at Richmond Theatre as part of its UK Tour.
Author Archive | Matthew Lunn
Matthew Lunn reviews Broken Wings, a new musical by Nadim Naaman and Dana Al Fardan at the Theatre Royal Haymarket. Broken Wings Theatre Royal Haymarket 2 August 2018 2 Stars I must confess myself to be unfamiliar with the work of Gibran Khalil Gibran, the Lebanese-American poet and philosopher whose work inspired this musical. On […]
Queen Anne offers an insightful and commendably believable depiction of the reign of one of England’s lesser known monarchs, and her complex relationship with childhood friend Sarah Churchill. Though the play takes time to get into its stride, the second Act is quite exceptional. Emma Cunniffe and Romola Garai give wonderful performances, and the play […]
While everyone should enjoy Ink, I am sure that many people who are more discerning than I am will find it spectacular.
Sand in the Sandwiches is absolutely delightful, a one man play in which Sir John Betjeman – a remarkable performance by Edward Fox – looks back on his life and career via a series of poems and anecdotes. In a frequently gloomy world, this is guaranteed to lift your spirits.
This Is Not Culturally Significant is an arresting and thought provoking play, performed entirely in the nude by Adam Scott-Rowley. Once you get over this – and believe me, it does not take long – you are gripped by a gamut of human emotion, perceived in the depictions of numerous absurd, but very recognisable characters. […]
The Goat is a fascinating play by one of America’s greatest playwrights; a depiction of life utterly undone by an unforgivable transgression. Damian Lewis and Sophie Okonedo are excellent as disintegrating couple Martin and Stevie, ably supported by West-End debutant Archie Madekwe as their son Billy. The play suffers from too much ‘telling’, rather than […]
Finborough Theatre’s production of Arthur Miller’s scarcely seen Incident at Vichy does great justice to a play that deserves a far wider audience. Compellingly staged and beautifully acted, the production demonstrates the cruel and contradictory faces of evil, which smile when good men succumb to inertia.